An indepth study of themes and motifs, notable directors and key Essay

An indepth study of themes and motifs, notable directors and key players in French New Wave movement - Essay Example But it is always argued the Canne's is not a festival but a screening of films that will be made available to public. In addition, there are too many film fests where people can feast their eyes on such as Rencontres Internationales d'Art Contemporain from June to July. In the towns of Paris, there is also Crteil celebrated on from March to April. The La Ciotat which is also called as silent film gets to be seen in July. The Reims or thriller movies have their place from October to November. All these make up and add up color to the film business in France. (1) In addition to this, French people also value not just the contemporary movies but also the old ones. Old movies or the valued films are kept in Paris Archives du Film which has the largest collection of silent and old movies in the world. It can be remembered that in the year 1992, they launched a program which aims to transfer the pre-1960 collection of movies to acetate to keep from rotting or disintegration and the program itself cost 17 million franc equivalent to 2.5 million euro. (1) It can be remembered that cinema, being considered as a French invention is regarded to be one of France's valuables and it has indeed a high regard from artists, old and contemporary. It can be traced back in the year 1985 when the Lunmiere Brothers matched photography with the amazing lantern show that was shown first in the Lyon using crackly images. It gave the image of a train leaving factory where the audience reacted by ducking for cover. That was the first sign of the power of image through cinema. Post World War I avant-garde artists immediately took advantage of this so called masterpiece and the obvious product of this taking advantage of the visual potential are in the persons Jean Cocteau through "Blood of a Poet in 1930 and La Belle's "Beauty and the Beast" in 1945. Director Robert Bresson also continued the said art even after World War II. (1) This was followed by the movement of the famous Gerges Melies who mastered the special effects through the adaptation of Voyage of the Moon by Jules Verne and it was considered as part of the mainstream in the year 1902. Then the French movies became known all of a sudden due to the New Wave Movement which owes its name to Nouvelle Vague in the 1960s. Vage is a post-war director was himself awed in the Les Quatre cents Coups in 1959 by Jean Claude Truffaut and Alain Resnais who created the Hiroshima Mon Amour. This was followed by the morally controversial films of Erich Rohmer where more scandalous and erotic topics followed, specifically from the director Roger Vadim. But this didn't continue due to a life and moral-saving films with good narratives from Jean-Luc Godard in 1960 with his film Breathless. It was also the same time when sexy French stars came out of the masterpieces like Brigitte Bardot and Alain Delon. Bardot starred in the Movie And God Created a Woman. (1) Then there is also the considerable late New Wave era from tehe 70's to the early 90's. It is the time when actor Gerard Depardieu came in to the scene and his career started in 1965 and he first became known through the movie Martin Guirre in 1981. This was followed by Danton in 1983 and Jean de Floretta in 1985. A new pool of directors came about in